27th Mar 20228th Feb 2023 doublespeakmag

Sanil M. Neelakandan‘s essay: Republic of Barriers

27th Mar 20228th Feb 2023 doublespeakmag

Svetlin Trendafilov‘s essay: On optimism and art

27th Mar 20228th Feb 2023 doublespeakmag

Paromita Goswami‘s essay: Hijab ban? What about Christian cross or Sikh turbans? Identity and Consumption Angle to Dressing

27th Mar 20228th Feb 2023 doublespeakmag

Shreya Kulkarni‘s essay: Men- (s)- t -(ru) -al Health

27th Mar 20228th Feb 2023 doublespeakmag

Shreya Kulkarni‘s essay: An ode to a feeling which you haven’s felt in a long long time.

27th Mar 20228th Feb 2023 doublespeakmag

Anannya Dasgupta‘s set of Haiga

27th Mar 20228th Feb 2023 doublespeakmag

Nila Vanda Celin‘s poem: Love

27th Mar 20228th Feb 2023 doublespeakmag

Maid Čorbić‘s poem: Swimming through stages of emotion

27th Mar 20228th Feb 2023 doublespeakmag

Debbie Ghosh‘s poem: I am a poor boy

27th Mar 20228th Feb 2023 doublespeakmag

Aniket Banerjee‘s poem: Suddenly the evening falls

27th Mar 20228th Feb 2023 doublespeakmag

Sneha Chatterjee‘s pair of poems

27th Mar 20228th Feb 2023 doublespeakmag

Glen Armstrong‘s trio of poems

27th Mar 20228th Feb 2023 doublespeakmag

Svetlin Trendafilov‘s pair of poems

27th Mar 20228th Feb 2023 doublespeakmag

John Grey‘s trio of poems

27th Mar 20228th Feb 2023 doublespeakmag

Zornitsa Ge’s Haibun: Dandelion

27th Mar 20228th Feb 2023 doublespeakmag

Todd Mercer‘s poem: Visitor from the Youth Dimension

27th Mar 20228th Feb 2023 doublespeakmag

Argha De‘s poem: 2:12

27th Mar 20228th Feb 2023 doublespeakmag

Preethy‘s poem: Wiped Out

27th Mar 20228th Feb 2023 doublespeakmag

Ivan Jenson‘s poem: Empty Nest

27th Mar 20228th Feb 2023 doublespeakmag

Ivan Jenson‘s poem: Confessions of a New York city-street-artist