28th Sep 20228th Feb 2023 doublespeakmag

Alexey Pehov‘s mini album: Expressions Passing By

28th Sep 20228th Feb 2023 doublespeakmag

Phil Temples’ mini album: Abandoned Industry

28th Sep 20228th Feb 2023 doublespeakmag

Hargun Gujral‘s essay: Listening From The Counsellor’s Desk

28th Sep 20228th Feb 2023 doublespeakmag

Niño Saavedra Manaog‘s essay: Turning Japanese

28th Sep 20228th Feb 2023 doublespeakmag

Indranil Banerjee‘s essay: Caught Kirmani – Bowled Kapil Dev

28th Sep 20228th Feb 2023 doublespeakmag

Declan Geraghty‘s short story: The Stopover

28th Sep 20228th Feb 2023 doublespeakmag

John Mueter‘s short story: The Mountain

28th Sep 20228th Feb 2023 doublespeakmag

Pawel Markiewicz‘s short story: About The Danube and Dreameries

28th Sep 20228th Feb 2023 doublespeakmag

Todd Embry‘s short story: The April Fool and the Angel of Mercy

28th Sep 20228th Feb 2023 doublespeakmag

Leon Taylor‘s short story: The Reluctant Traitor

28th Sep 20228th Feb 2023 doublespeakmag

Chidiebere Enyia‘s short story: Slay Queen

28th Sep 20228th Feb 2023 doublespeakmag

Bhumika R‘s short story: Shaheen’s Nightmare

28th Sep 20228th Feb 2023 doublespeakmag

Dibyasree Nandy‘s short story: Cupcakes

28th Sep 20228th Feb 2023 doublespeakmag

DC Diamondopolous‘s short story: 1970

28th Sep 20228th Feb 2023 doublespeakmag

Jibendu Narayan Mazumder‘s poem: For One Last Time

28th Sep 20228th Feb 2023 doublespeakmag

Muhammed Farhaan‘s poem: Hold On

28th Sep 20228th Feb 2023 doublespeakmag

Eftichia Kapardeli‘s trio of poems.

28th Sep 20228th Feb 2023 doublespeakmag

 Dessy Tsvetkova‘s quartet of poems.

27th Sep 20228th Feb 2023 doublespeakmag

Kimberly Stowe Green‘s poem: I was there hidden the day you died

27th Sep 20228th Feb 2023 doublespeakmag

Aleksandra Lekić Vujisić‘s poem: The Sea Blues