28th Sep 202329th Sep 2023 doublespeakmag

Irina Tall‘s photostory: When you stop answering questions

28th Sep 20231st Oct 2023 doublespeakmag

Ruby Sharma‘s photostory: Invisible force and my sunshine folds

27th Jun 202329th Jun 2023 doublespeakmag

Svetlin Trendafilov‘s painting album: Old and New

27th Jun 202329th Jun 2023 doublespeakmag

Ruby Sharma‘s photostory: Dal Lake

27th Jun 202329th Jun 2023 doublespeakmag

Sreedeep‘s photo-essay: In Search of the ‘Modern’ in Ray’s Unvanquished

30th Mar 202330th Mar 2023 doublespeakmag

Sayan Mondal’s photostory: ‘A picture is worth a thousand words’, but now ‘you only need a few words’ to create one

30th Mar 202330th Mar 2023 doublespeakmag

Zai Gulmohar‘s photostory: Sparrows

29th Mar 202331st Mar 2023 doublespeakmag

Rajeev Singh‘s photostory: Masan Holi

30th Dec 202231st Dec 2022 doublespeakmag

Saranya Ganguly‘s photostory: The Eyes Are Not Here

29th Dec 202230th Dec 2022 doublespeakmag

Debarghya Dey‘s photostory: O Mother

29th Dec 202230th Dec 2022 doublespeakmag

Ishan Kohli‘s photostory: Through My Eyes

29th Dec 202230th Dec 2022 doublespeakmag

Namrata Sarma‘s photostory: Human Stamp On A Fluid Riverine Territory – A Visual Story of Bhahmaputra’s “Char-Chaporis”

29th Dec 202230th Dec 2022 doublespeakmag

Koushik Saha‘s photostory: Hungrealist

29th Dec 202230th Dec 2022 doublespeakmag

Irina Tall‘s photostory: Kitty

29th Dec 202230th Dec 2022 doublespeakmag

Irina Tall‘s photostory: Girl And Her Dreams

29th Sep 20228th Feb 2023 doublespeakmag

Bishal Bashyal‘s photostory: Farewell

29th Sep 20228th Feb 2023 doublespeakmag

Muhammed Munavver‘s photostory: Poya, How much the people of Valad is connected with the river.

29th Jun 20228th Feb 2023 doublespeakmag

Anannya Dasgupta‘s Photostory: When Colour Meets Paper

29th Jun 20228th Feb 2023 doublespeakmag

Sreedeep‘s Photostory: Shut Doors

29th Jun 20228th Feb 2023 doublespeakmag

Rohan Rathod‘s Photostory: Moods and Gaze