Vinay Ghodgeri’s two poems


Impossible memories of a loving future 

 

I remembered

the night yet to come,

an uncommonly buoyant dirge preceded,

when the last words of the voices from the sky

echoed in her mysterious cranium.

Words, their baby shaped, serrated words,

nervous, excited implants,

fixated on leaders’ dark psychologies,

power’s twisted ideologies,

the devastating meaning-making of world humans.

I remembered

the night she will stop

hearing those Spirits in her mind be;

in blame in pain in paranoia in attack

stop berating her

for having mediocre world ideas

to end all trauma

like little, adamant, intellectual, hurt, blaming

children,

debating all our disasters;

baulking at our grand violences;

whirling in endless litanies;

plunging her into

the world’s screams of trauma,

child soldiers and fundamentalist fanatics,

killer colonels and judging leaders,

into apokalypsis – the unveiling of ultimate collapse;

desperately searching for the hasty light

of a philosopher king

to solve all our misdeeds.

I remembered

the grief

of the coming night

of relief.

I remembered

that she will cry a flood ,

a river of tears to forgive the whole world,

when she will have had her will back.

The sparkling moment when

her energy will be free to tune

into love, philosophy, adventure, art;

small moments of joy,

impulses of the body,

discovering another fully,

be present for her loved

to be present

present

‘tomorrow’ she will say yesterday

and we will meet the day before eternity

when her feet feel the ground,

and her mind does not anymore

rove without respite,

in the utopian redemption of humankind;

in the impossible memories of its loving future.

Transcript of Mornings 

 

did you eat something this morning?

I ask her loudly her back to me face to the garden hair to the wind

the yellow weavers nesting above chirp wildly

blazing blue kingfishers perch calm on low branches

iridescent black/red sunbirds flit maniacally

gurgle of a clear stream stays invisible to the eye

here’s some papaya/banana/mango/watermelon/plum/dates eat it please

her silent rebellion of forgetting urges my insistence

here’s your pills take your pills I project louder

the water boils coffee is poured cigarette smoked

what are your Voices chattering about?

the question flies past her

falling with a distinct thud

in the grassy neon beyond

She smiles broadly and says ‘Good Morning, CooCoo!’

I look out with blurred eyes

and count the shades of green

a monkey sits on the highest branch

of a creeper wrapped tree

I remember the day it slept sitting

on the balcony railing

spread legs and hands that are legs

reminding me of how my father

slept standing in a rattling bus

swaying on a strap

to a faraway construction site

do all monkeys have sad eyes?

have you taken your pills? I ask loudly

her glass is half full

maybe her day can be as optimistic


Vinay Ghodgeri is a writer, artist and filmmaker based in Goa, India. His work has been nominated for the Pushcart Prize and Anthology, 2026 and published in The Rumen, Mouthful of Salt, Emergent Literary, Phil Lit Journal, Plumas Revista and Juste Milieu Zine. His novella titled ‘Love as an Antidote to Despair’ has been published by Ukiyoto Publishing, available in paperback on Amazon. He enjoys writing about the soft innards of experience, dreams and relationships, glazing it with the surreal and the liminal.

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