Vinay Ghodgeri’s three poems


Funny Ideas 

 

‘I’m not okay’

barely slips past her lips,

and falls from her open palms into the vase of dried up flowers.

I forgot to smash the vase on the wall to empty them.

And how will you get better I ask,

with sharp, tender edge.

Her body, a tight, thick fistful of pillows.

Lips mouthing up a silent storm,

Her baby voice alone in frenetic sing-song.

Dying in her throat when I enter the room.

She’s been chattering away with them, 18 hours a day.

For 18 days now.

I lasted two months the first time watching,

I never thought my eyes would dart away as they do now,

16 months down,

my heart shocked for an instant when I do see her.

Pull all the reins of my shrieking horses.

Drop strings of should-beads that clatter around constantly.

I’ve slipped on them a few times

and smacked hurt into her distracted heart.

Her mind is a colonized land

from which she cannot be a refugee.

Her satyagraha never witnessed.

As much as I displace the pain of separation

that wells in me,

I miss the words that were hers,

emerging full from her lips.

Oh. I have not seen her smile in a month,

Only a flash of teeth, as much as she could give.

Now I am already night-dreaming

of abrupt seductions,

glances of desire,

unknown women

with faces and without.

It’s too early for that sign, I thought,

while uprooting the stalk of a chilli plant,

their spicy leaves ravaged by monkeys and whiteflies.

She has forgotten her body. So have I.

She cannot feel it. Neither can I.

It just jerks around, pulled by unseen forces,

like her twitching face and darting eyes,

pulled and nerved around by unheard diatribes.

But tonight, I lie in our dry bed,

I am surprised to see her body has thickened.

Her blood having jittered under her fingernails,

her eyelids, beneath her lower lip,

under bent back, quick slumped shoulders, hair askew.

She mouths their words. She mouths her words back.

Inside, she searches for the right phrases.

Excavates the right etymologies.

‘To calm them down’ she had said once.

What do you want from me? I asked in the pool.

‘Funny ideas’

Just two words that day.

I wait for her to want to get back to herself.

How will you get better? I ask.

And like she always does,

having turned avoidance into an art,

‘I’ll get help.’

An inflatable elephant ballooning across the room 

 

The past, surreptitiously plucked

from behind his back

He whirls around

to the present

His table rearranged

a file where the newspaper was

fruit missing

a pen now a scissor

Snip!

     neu    ron          sni p

        sy na    pse        s nip

Snip!

Black holes he cannot see

nestled in his brain

thin, brown leeches

catching a seat

at the beginning of the day’s show

fat, oozing at the end

Pouring salt on forgotten reminders,

only turns his meal cold.

My father tries

he digs his teeth

into the apple

keeps it stuck there

Mouth wide open

scared to chew

lest he cannot

anymore see it

Scared to swallow

lest he forgets

what its tastes like

Tender or tangy

raw or rotten

he vehemently keeps

his eyes on his thought-apple

Lest it disappear completely

In his dreams he waits

lost

in the damp, dark labyrinth

for a passing truck to shine

an ephemeral beam

whose flash of resurrection

might leave a gasping imprint of certainty

in his whorl of immaculate confusion

Dawn is yet to break

he awakens from a restive sleep

Where is that sound coming from?

Ears become mouth

and the pleasant rumour

of classical singing

gossips to an imaginary whisper

inside his perplexed teacup.

An inflatable elephant balloons wildly

across the room into a miniature saggy mess

All he can do is sigh

And turn to look for his lists

Did I get them already?

milk, eggs, the newspaper

Is it yesterday’s or today’s?

And so he goes to search again

For the spectacles that hid themselves

For the piece of paper always flying away

For the pen that turned into a scissor

For the apple that always ever came to his hand.

Fall, Jump, Break 

 

callused feet grasping rock edge

a finely graded plateau of basalt

stretched across its oblong frame below

dark water’s obsidian skin

entreated to act

by glaring sentient forces

I see nothing but feel

a desperate urge to fall

to act is to fall into the world

to fall is to leave it

blinking, wide eyes hold

a black hole sucking inward

young and dreaming on earth

like how one enters a room

forgetting one’s purpose in it

somewhere between falling

again, and again and again

through endless simulacra

suddenly I jump

my paws land quiet

on the shroud of my conscious crust

When shall I break the skin between worlds?

Ah, but I have yet to truly surrender.


Vinay Ghodgeri is a writer, artist and filmmaker based in Goa, India. His work has been nominated for the Pushcart Prize and Anthology, 2026 and published in The Rumen, Mouthful of Salt, Emergent Literary, Phil Lit Journal, Plumas Revista and Juste Milieu Zine. His novella titled ‘Love as an Antidote to Despair’ has been published by Ukiyoto Publishing, available in paperback on Amazon. He enjoys writing about the soft innards of experience, dreams and relationships, glazing it with the surreal and the liminal.

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