29th Jun 20228th Feb 2023 doublespeakmag

Sreedeep‘s Photostory: Shut Doors

29th Jun 20228th Feb 2023 doublespeakmag

Rohan Rathod‘s Photostory: Moods and Gaze

29th Jun 20228th Feb 2023 doublespeakmag

Arnab Chaudhuri‘s mini album: Humpbacks of Newfoundland

29th Jun 20228th Feb 2023 doublespeakmag

Soumen Mandal‘s mini album: Snoopy-ing

29th Jun 20228th Feb 2023 doublespeakmag

Supurna Dasgupta‘s translation of Tarapada Ray’s: How much time must lapse (Bengali to English)

29th Jun 20228th Feb 2023 doublespeakmag

Ananda Dasgupta‘s short story: Laptop

29th Jun 20228th Feb 2023 doublespeakmag

Prachi Srivastava‘s essay: Why do Children not respond well to scolding?

29th Jun 20228th Feb 2023 doublespeakmag

Ndaba Sibanda‘s essay: Dudula Is A Sad Symptom of Unresolved Perennial, Colonial And Political Issues

29th Jun 20228th Feb 2023 doublespeakmag

Ujjaini Roy‘s essay: Toeing Lines

29th Jun 20228th Feb 2023 doublespeakmag

Victor Mukherjee‘s essay: Reinterpreting ‘Mohamed Singh Azad’: The Politics of Resistance and Religious Syncretism in Shaheed Udham Singh

29th Jun 20228th Feb 2023 doublespeakmag

Sambit Roychowdhury‘s essay: On Fatherhood

29th Jun 20228th Feb 2023 doublespeakmag

Arjun Shivaji Jain‘s essay: On Success and Failure

29th Jun 20228th Feb 2023 doublespeakmag

Akhil Katyal‘s poem: Sanjay Van

29th Jun 20228th Feb 2023 doublespeakmag

John Grey‘s trio of poems

29th Jun 20228th Feb 2023 doublespeakmag

Ayushi Chandra‘s poem: Coming Home

29th Jun 20228th Feb 2023 doublespeakmag

Bruce McRae‘s pair of poems

29th Jun 20228th Feb 2023 doublespeakmag

Shuvra Das‘s poem: Lost and Found

29th Jun 20228th Feb 2023 doublespeakmag

Maid Čorbić‘s poem: When a bud comes to life in flower

29th Jun 20228th Feb 2023 doublespeakmag

Linda M Crate‘s poem: done growing in concrete

28th Jun 20228th Feb 2023 doublespeakmag

Linda M Crate‘s pair of poems