John Grey’s three more poems


Sam’s last days 

 

Grotesques. My upper teeth nibble on

the lower. Soon, they’ll be nothing but white ash.

Skin sags. Cartilage wonders why it bothers.

And my eyes… at what stage do they quality

as permanently red. My mouth wants to

swallow my red nose. In one raving gulp

of course, because my bite is busted.

 

Snow storm outside. So the weather too is collapsing

under its own weight, Maggie is out there somewhere

refilling her pills. Soon enough, it all subsides and

the ground is left looking like this gigantic dead sheep.

But it’s the inside that smells like a carcass.

It’s the thinning hair on the head of a man,

the broken bowstrings of the heart. And the fingers

are like cars skidding on ice, left touch behind

ten years ago.

 

Insane. My next thought is hammering my last.

My pulse swirls like that witless dancer in the

spiked red shoes. And then it screams loud as a jay.

And then it quiets like the last flakes on the window.

Maggie knows the answer. It’s tiny blue capsules.

The reaper is smug. He scythes with fire-place flame.

Or tries to sell me eyesight on the TV. Or better

bones. Or a stupendous sex life. Since when

was bullshit all I have left to spend my money on.

 

Wind gives up the ghost though the ghosts are real enough.

Roof is heavy. Front porch is a wasteland.

And there’s Maggie crawling home from the pharmacy.

Needs are served if that’s what you believe.

I’d rather feel every hurt, each twinge, all the footnotes

to my own destruction. Dying ought to be like living.

For if it’s just death, what’s left to humanize.

Story time 

 

It’s a much-anticipated night,

one he can listen to

thanks to a mother bedside,

reading fairy stories,

while he’s tucked under sheets,

having cleared his head

of a father’s discipline over

picked-at despised vegetables

to make room for knights and dragons.

 

Good and bad

are in the words of others,

can be reimagined

as adventures that,

though fraught with danger,

are assured a happy ending.

And they can lead to dreams

in which a boy wields a sword

far too heavy for his hands

in waking hours.

 

In fact, it is every night,

as each day is every day,

when hurts are avenged

and not merely felt as pain.

He falls asleep

as the tiny hero faces an angry giant,

confident his sub-conscious

would have him grown in no time.

As it happens 

 

Death happens in a place

where flowers do not grow,

even if seeds are planted

and faithfully watered.

 

Death happens in a place

where nothing sprouts,

there is no color,

no blooming beauty.

 

It’s just like death happens

in a town where no one knows you

even though you’ve lived there

ever year of your life.

 

Death happens in a town

where the band stops playing,

the stores are shuttered,

and the sidewalks crack.

 

Death happens on a street

when you cry out

but the only response is echo

off the far dark mountains.

 

Death happens on a street

shrunken from what you remember,

so narrow there’s only room for you,

and only one direction – forward.

 

Death happens in a place

where bodies are buried,

under six feet of soil

that is also dead.

 

Death happens in a place

that no one returns from,

a ground colorless, ugly,

despaired of ever blooming.


John Grey is an Australian poet, US resident, recently published in Midnight Mind, Willow Review and the Pennsylvania Literary Journal. Latest books, “Bittersweet”, “Subject Matters” and “Between Two Fires” are available through Amazon. Work upcoming in the MacGuffin, Touchstone and Plainsongs.

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