Benito Vilá’s four poems


That Is the Done of It 


That is the done of it;

the moment I stop questioning

somebody else starts answering for me.


To go deep enough in the ocean

to be lifted off my feet, pulled, 

to drift with the current, to be

forced to float, move different,

to shut my mouth, breathe different

to kick like my life depends on it—

to witness, feel without judgment,

to rearrange my structures, my ideas 

and discard them, again and again,

to realize how much I want 

to be alive, even as the tide

is taking me somewhere else—

to suddenly get how the obvious 

thrives in the obvious, right now, 

to have every cell, tuned in, aware, 

ready, eager, knowing, going,

being my breath holds its life 

until it can no more.


My divinity is no task; 

it’s essential I get to it before what 

somebody wants me to believe sinks me.

The New Lord’s Prayer (2026 GOP edition)


Oh, great white gringo father,

who doesn’t like brown people,

hallowed be your guns,

the technology that helps us

kill other cultures and steal

their territory. Our kingdom comes

from breaking every promise

so our kind can continue

to live in comfort. Give us

the power we need

to make sure no one

finds out about us,

and lead us out of our despair

by putting new worlds up for sale.

For thine is the rule of might worshipped,

now and forever. Ah, money.



Previously published by Three Rooms Press in Maintenant 20, and by Cold River Press in VOICES

A Ride of Understanding


I stand before you, reading aloud, 

flesh and blood, that aspect of me you see, 

alive in a blooming mind that imagines circles, 

opens doors, wanders on, wanders off,

a surprised mind that struggles with the idea 

that we each bear the maul of death, 

that we each rip and crumble as easy as a leaf.


Glory glory, hallelujah, the news is meant to lose ya.

Glory glory, big blue flame, another shooter, more names.

Glory glory, goddamn, how is this allowed?


The crosses, the stars, the moon, the sun,

the pain of so many centuries,

symbols misunderstood, misused, abused, saluted 

as being this and that, people turned into 

things they’re not, like Jesus, Mary and Joseph, 

or the preacher who forgets that forgiving folly

is a lot more real, more powerful, than anything 

solemn, pious; anything locked-in, punishment-crazed.


Other people take me places I wouldn’t go on my own;

I need my ears, eyes and heart for that, 

more than I need my mouth, or my mind, 

or any of the stories that I like to repeat.

Other people take me on a ride of understanding, 

like I’m on a roller coaster, I’m hanging on and letting go, 

depending on what feels right; I beg for mercy, 

I cry, I laugh, I scream, I hide and I feel who they are.


Glory glory, praise be, our voices, our love, given free.

Glory glory, here we are, hypnotized by a new scar.

Glory glory, cultural goo, every gun that kills kills me some, too.

Give Me Love 


I am the fruit of my own soul, ripening

in a civilization fond of wastelands. 

I will fall; I will bruise; I will still be dreaming. 


Benito Vilá lives in a remote fishing village on Mexico’s Pacific coast where he’s interviewing everyone he can, creating an oral history of the area. His poetry has appeared in several kind literary journals, including Voices, Love Love Magazine, Maintenant, Book of Matches, BeatLife, Beatnik Cowboy, and GAS: Poetry, Art and Music. His other published work includes profiles of “counterculture” instigators for pleasekillme.com and the editing of poet Charles Plymell’s email correspondences into two books (for Bottle of Smoke Press).

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