Aardhra Chandran’s two poems


The Latex Smokehouse


The monsoon does not drop;

It weight-safes the corrugated roof

until the tin groans under the fat gray water.


Before the tapping begins,

the dealer’s rusted spring scale

hangs from a jackfruit branch,

waiting for our sweat.


Inside the shed,

the stench of acetic acid hits the throat,

sour and thick enough

to curdle the morning milk.


My knuckles are white

on the ribbed iron rollers,

pressing the raw latex

into sheets of rubber skin.


The tree’s milk grays,

resembling dead flesh

before the fire takes it.


We hang them on split bamboo poles

in the smokehouse

where the wet coconut husks smolder

in the pit below.


The amber smoke

turns the air into a blind lung.


Everything here darkens—

the soot on the rafters,

the skin on my forearms,

the heavy mud outside

where the frogs choke on rain.


The rubber sheets hang

like skins waiting for a body,

dripping oil onto the packed dirt floor.


A snake slides through

the rubber roots outside,

unbothered by the smoke

or the downpour.


His ledger is already open.


He will cheat us on the weight.


But the rain keeps falling,

erasing the tracks on the path.


A single amber drop of latex

hardens on the scales.

Granite Bathhouse


Red hibiscus oil leaves a dark ring

on the stone,

a heavy scent of chemparathi

sticking to the steam.


I stand on the wet granite slab,

alone,

where the afternoon heat creeps

through the high iron grate.


The wet cotton mundu

clings to my hip like a second skin,

revealing the silver tracks

where the fat broke open years ago.


They call it a woman’s bloom,

but it looks like lightning

frozen under the flesh of my thigh.


My sister says a body

must be hidden from the lane,

locked behind three bolts

and a traditional name.


But here,

the water from the brass bucket

doesn’t care about the lane;


it breaks over my collarbone,

cold and un-prayed.


My belly is soft

as rice soaked overnight,

carrying years of fish curry and rice.


I touch the scar on my rib,

small and white as a jasmine bud,


and realize this skin belongs only

to the marrow inside it.


The well water tastes slightly

of iron and deep earth.


It washes away the veranda dust

and kitchen whispers.


I step out into the blinding afternoon sun.


Salt air dries the water

along my ribs.


The mango tree’s shade

waits behind me.


Aardhra Chandran is a writer from Kerala, India. Her work has appeared in Gulmohur Quarterly, Mosaic Lit Journal, Punch Magazine, Borderless, Zhagaram, Active Muse, and Eunoia Review, among others. Her poetry explores memory, landscape, labour, and the material textures of everyday life.

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