Danielle Bacibianco’s poem: We Shared An Ice-Cream Spoon, Once.


A Missouri afternoon hummed with barbecue,

Kansas City spilling jazz from every doorway.

We walked the brick-lined streets,

while our conference badges

swing like pendulums –

flimsy, plastic reminders

of the rooms of thinkers we had just left behind.

The panels spoke of method, of theory,

while others made absolutely no sense at all.

We walked around the city of fountains,

as the café windows mirrored our laughter.

The cold sweetness dissolving

like the hours we had once carried alone.

But we were speaking of everything else:

the lives we’d lived before

conference proposals, like the poems

tucked in between our dissertation notes,

little drafts of creative writing

we had abandoned for so long . . .

that now have become afterthoughts.

 

You quoted hooks,

I murmured Lorde.

And the city slid past us

like italicized thoughts in forward motion.

 

Two women,

writers, thinkers, and makers

who had come late to the fire

but found out that it was still burning,

for us.

 

I tasted the sugar.

Did you?

 

We spoke of writing,

together,

of work that might build between us –

Like the pages of passages we read in class.

I believed in that creation, too,

in you,

even though I did not see

the path slowly narrowing between us.

 

As the sun went down,

Kansas City was beginning to sleep all around us.

And still, our sentences

walked a bit further.

 

I was always, already writing,

trying to find a new sense

of agency and autonomy, of hope

in this new scholarly identity.

And somehow, you seemed to

recognize me as always, already there.

 

Who knew the power one plastic spoon

could hold, being passed back and forth,

as the ice cream sloped down the cup.

 

We passed storefronts and landmarks,

crossed sidewalks and streetcars

while the streets widened around us.

 

Each spoonful was

I don’t know

a maybe,

or maybe it was

that I was too open or curious,

maybe kind, and or [for]giving.

 

I watched you watch me,

as the borders of friendship stretched

and confused and contorted,

over the years in many ways.

 

Perhaps, you only saw

what my hope and dreams

could offer you.

 

Did you forget

how close you leaned in and smiled

you know the kind of smile

that makes collaboration feel like shelter?

 

Did you forget

how you asked me questions

that I could not answer,

or explain in ways that made sense?

 

Since, I carried that knowledge quietly –

the essays, projects, and writing almosts

that disappeared before the real work began.

 

Over and over again,

you withdrew without explanation,

leaving me in confusion and silence,

and doubt, and shame.

 

I foolishly believed that

certainty was once where you had been.

 

I’ve learned that

it’s dangerous to tug

at the promise of mutual becoming,

knowing the history that hung over us.

 

You returned only when it suited you,

surprised

by language soft enough to bend,

to make me doubt the distance.

 

How naive was I to cave, each time,

feeling ashamed and guilty . . .

How silly I’d react to unsaidness,

leaving me with questions

and unanswered texts . . .

 

I used to keep count, not score

when your intentions wavered constantly.

I used to dig deeper, and some more

beneath conversation and camaraderie.

 

As a writer, I know the game well

of reading between the lines.

I tried to have wise mind,

a critic’s mind,

I tried to be a good feminist,

a good friend.

 

But I mistook inconsistency for complexity,

and evasion for caution.

 

I resolved myself on this:

Maybe, I asked for too much.

 

I am no stranger to an empty room.

The sudden ache of dragging my own weight,

through the echoes of soft ruin.

 

I know I have made mistakes.

I have threaded through archives,

searching our past and present for proof.

 

Maybe there was a sentence I misread?

Maybe I [over]apologized for something

that I had said?

Maybe I should have barred the doors

of my intellect?

 

For someone who claims to be fluent in liberation,

you dressed your texts as judgments

so many unspoken offenses.

 

And then there was silence,

a cage you forged me into

so that I could carry shame for the both of us.

 

I’ve rehearsed apologies and assumptions,

I’ve questioned my actions and boundaries.

 

As I’ve learned, professional kinship

and the belief that I was being seen

came at much too high

a cost.

 

What kind of woman

can read and cite other women

who have found the violences of rhetoric,

while still making another woman

feel that kindness was weakness?

 

How easy it was, for you,

to twist innocence

into punishment and embarrassment.

 

So, I guess I want to say “thank you.”

 

Thank you,

for letting me hold that space alone.

 

Thank you,

for allowing me to feel foolish,

until I really understood

the quiet treasons of tenderness.

 

Thank you,

for showing me

that I did not have to burn others

just to prove to myself I was something,

that I am good.

 

Thank you,

for letting me starve and walk

to the edges of this story.

 

I have learned

that not all lines

need to be read aloud.

 

Yes, I will always be grateful

for the choice,

for the moment

that I walked away from you in that hotel elevator.

 

You know,

we shared an ice cream spoon, once.

 

I had just gotten my haircut,

super short, super tight

even though I was told not to.

That my impulsive decisions are usually

always, already dangerous and full of regret.

 

Shame,

as it turns out,

was never mine to keep.

 

Sometimes, I still walk

beside that memory,

just to remind myself

I know how to see my own way.

 

And now I know

that the harder way out

the way that turned my innocent ink

into blots and messes, taking more time

for me to sort out.

 

Well, I suppose that

was the one that ultimately

led me back to myself.


Danielle Bacibianco, PhD, (sher/her) is a queer writer, playwright, and researcher whose work explores the intersections of addiction, recovery, queer identity, and feminism. Danielle’s poetry has also been published in Anti-Heroin Chic and Double
Speak Literary Magazine. Recently, Danielle’s original 60-minute play, The Plans We Made, was invited to take the stage at the Midtown International Theatre Festival (New York City, June 2026). Her play first took the stage as a 10-minute original at the Women’s Playwright Collective New Voices Festival (Staten Island, New York – 2025). Aside, her scholarly work has
appeared in the following academic journals: College English, Reflections: A Journal of Community-Engaged Writing and Rhetoric, and Writers: Craft and Context.

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