Danielle Bacibianco’s poem: We Shared An Ice-Cream Spoon, Once.


A Missouri afternoon hummed with barbecue,

Kansas City spilling jazz from every doorway.

We walked the brick-lined streets,

while our conference badges swing like pendulums –

flimsy, plastic reminders of the rooms of thinkers

we had just left behind.

The panels spoke of method, of theory,

while others made absolutely no sense at all.

We walked around the city of fountains,

as the café windows mirrored our laughter.

The cold sweetness dissolving

like the hours we had carried alone.

But we were speaking of everything else:

the lives we’d lived before conference proposals,

the poems tucked in between our dissertation notes,

the drafts of creative writing we abandoned

for so long

that now have become afterthoughts.

You quoted hooks.

I murmured Lorde.

And the city slid past us

like italicised thoughts in forward motion.

Two women,

writers, thinkers,

makers who had come late to the fire

and found out that it was still burning for us.

I tasted the sugar.

Did you?

We handed the spoon back and forth.

You spoke of writing together,

of work we might build between us,

Like the pages of passages we read in class.

I believed in that creation, too, in you,

even though I did not see the path beginning to narrow between us.

As the sun went down,

Kansas City was getting ready to sleep all around us.

And still, our sentences wanted to walk further.

I was always, already writing,

finding a new sense of agency and autonomy

in this new scholarly identity.

And somehow, you seemed to recognise me immediately there.

One white spoon

being passed back and forth,

as the ice cream sloped down the cup.

We passed storefronts and landmarks

while the streets widened around us.

Each spoonful was a maybe,

or maybe it was that I was too open,

and kind, and giving.

The borders of friendship were stretched

and confused and contorted

over the years in many ways.

Perhaps, you only saw

what my hope and dreams

could offer you.

Did you forget

how close you leaned in and smiled

that made collaboration feel like shelter?

Do you remember how you asked me

questions that couldn’t be explained anyway?

– I carried that knowledge quietly,

the essays, projects, and writing almosts

that disappeared before the real work began.

Over and over again, you withdrew

without explanation,

leaving silence, and doubt, and shame

where you made me believe

your certainty had once been.

It’s dangerous to tug at

the promise of mutual becoming

knowing the history that hung over us.

You returned only when it suited you,

with language soft enough to bend

and make me doubt the distance.

How I would naively cave, each time,

feeling ashamed and guilty for how I’d react

leaving me with questions and

unanswered texts where your intentions wavered constantly

beneath conversation and camaraderie,

like a game of reading between the lines.

I tried to be a good feminist,

a good friend.

But I mistook inconsistency for complexity,

evasion for caution.

I made myself believe that perhaps I asked for too much.

I’ve been ghosted before,

But because I had been so vulnerable

and made mistakes,

I searched our past and present conversations for proof.

Maybe there was a sentence I misread?

Maybe I overapologised for something I said?

Maybe I should be more cautious

to share intellectual space

with someone who claims to be fluent in liberation,

when every text

became an unspoken offence,

and silence, was your way to control.

I’ve carried shame for the both of us.

I’ve rehearsed apologies and assumptions,

I’ve questioned my actions and boundaries.

As I’ve learned, professional kinship

and the belief that I was being seen

came at much too high

a cost.

What kind of feminist can read and cite women

who have found the violences of rhetoric,

while still making another woman

feel that kindness was

a weakness

and trying too hard was something that deserved

to be punished and forgotten.

So, I guess I want to say “thank you”

for letting me hold that space alone.

Thank you for allowing me to feel foolish,

until I really understood

that tenderness was something earned,

that I did not have to burn others

just to prove to myself I was something.

Thank you for letting me find and walk

to the safe edges of this story.

I’ve learned that not all lines need to be read aloud. I will always be grateful for the choice,

for the moment that I walked away from you

in that hotel elevator. – We shared an ice cream spoon, once.

I had just gotten my haircut, super short,

even though I was told not to.

That my impulsive decisions are usually

always dangerous and full of regret.

Shame, as it turns out,

was never mine to keep.

Sometimes, I still walk beside that memory,

just to remind myself I know how to see my own way.

And I know now

that the harder way out

the way that took more for me to sort out

was the one that led me back to myself.


Danielle Bacibianco, PhD, (sher/her) is a queer writer, playwright, and researcher whose work explores the intersections of addiction, recovery, queer identity, and feminism. Danielle’s poetry has also been published in Anti-Heroin Chic and Double
Speak Literary Magazine. Recently, Danielle’s original 60-minute play, The Plans We Made, was invited to take the stage at the Midtown International Theatre Festival (New York City, June 2026). Her play first took the stage as a 10-minute original at the Women’s Playwright Collective New Voices Festival (Staten Island, New York – 2025). Aside, her scholarly work has
appeared in the following academic journals: College English, Reflections: A Journal of Community-Engaged Writing and Rhetoric, and Writers: Craft and Context.

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