29th Dec 202230th Dec 2022 doublespeakmag

Ishan Kohli‘s photostory: Through My Eyes

29th Dec 202230th Dec 2022 doublespeakmag

Namrata Sarma‘s photostory: Human Stamp On A Fluid Riverine Territory – A Visual Story of Bhahmaputra’s “Char-Chaporis”

29th Dec 202230th Dec 2022 doublespeakmag

Koushik Saha‘s photostory: Hungrealist

29th Dec 202230th Dec 2022 doublespeakmag

Irina Tall‘s photostory: Kitty

29th Dec 202230th Dec 2022 doublespeakmag

Irina Tall‘s photostory: Girl And Her Dreams

29th Dec 202230th Dec 2022 doublespeakmag

Sayan Mondal‘s mini album: Close To Our Birds

29th Dec 202230th Dec 2022 doublespeakmag

Purna Mukherjee‘s album: Walking In Japan

29th Dec 202231st Dec 2022 doublespeakmag

Mathias Nyberg‘s mini album: Stand Behind A Child

28th Dec 202230th Dec 2022 doublespeakmag

Indranil Banerjee‘s essay: Oval Test Victory, Indelible Memory In Indian Cricket’s History

28th Dec 202230th Dec 2022 doublespeakmag

Ujjaini Roy‘s essay: Random Thoughts

28th Dec 202230th Dec 2022 doublespeakmag

Pawel Markiewicz‘s essay: The broken soul in my homeland

28th Dec 202230th Dec 2022 doublespeakmag

Anissa Sboui‘s essay: Othello: The Black ‘Other’ within a White Venetian Society

28th Dec 202230th Dec 2022 doublespeakmag

Nilambara Banerjee‘s anthology of shortstories.

28th Dec 202230th Dec 2022 doublespeakmag

Dibyasree Nandy‘s short story: Subaru

28th Dec 202231st Dec 2022 doublespeakmag

Murali Kamma‘s short story: The Exchange

28th Dec 202230th Dec 2022 doublespeakmag

Keith Hoerner‘s short story: Swimming Back to Shore—With No Sign of Your Footsteps in the Sand or Sight of You on the Horizon

28th Dec 202230th Dec 2022 doublespeakmag

Andrew Paul Grell‘s short story: Blow

28th Dec 202230th Dec 2022 doublespeakmag

Dee Allen‘s poem-duo

28th Dec 202230th Dec 2022 doublespeakmag

Dee Allen‘s trio of poems

28th Dec 202230th Dec 2022 doublespeakmag

Samit Bhattacharya‘s poem: Childhood Lost