29th Dec 202430th Dec 2024 doublespeakmag

Benito Vila’s three poems

29th Dec 202430th Dec 2024 doublespeakmag

Pasquale Verdicchio’s photostory: Zapotec

29th Dec 202430th Dec 2024 doublespeakmag

Irina Tall Novikova’s imagestory: White On White

29th Dec 202430th Dec 2024 doublespeakmag

Carl Scharwath’s photostory: A Woman For All Ages

29th Dec 202430th Dec 2024 doublespeakmag

Abhipsa Munsi’s photostory: A symbol beyond the waves

29th Dec 202430th Dec 2024 doublespeakmag

Jayant Neogy’s short story: Dunes of Destiny

29th Dec 202430th Dec 2024 doublespeakmag

Charlotte Cordwell’s short story: That Wednesday

29th Dec 202430th Dec 2024 doublespeakmag

Pritha Banerjee Chattopadhyay’s essay: A Note On Gary’s Day

29th Dec 202430th Dec 2024 doublespeakmag

Pritha Banerjee Chattopadhyay’s essay: Transcending Borders: A Critical Examination of Urban Life and Existentialism in Satyajit Ray’s Mahanagar and Aki Kaurismäki’s The Match Factory Girl

29th Dec 202430th Dec 2024 doublespeakmag

Alex Cordwell’s essay: The Pencil Man

29th Dec 202430th Dec 2024 doublespeakmag

Peter Cordwell’s essay: The Catcher

29th Dec 202430th Dec 2024 doublespeakmag

Timothy Tarkelly’s essay: Big Cities

29th Dec 202430th Dec 2024 doublespeakmag

Rawshan Tabassum’s essay: Patroclus in Homer’s The Iliad is an unmanifest jewel and shining idol for modern youth.

29th Dec 202430th Dec 2024 doublespeakmag

Manya Maheshwari’s essay: Fashion: Art Of The Masses Or Game Of The Rulers?

29th Dec 202430th Dec 2024 doublespeakmag

Peter Cordwell’s essay: Dylan/Salinger/Orwell

29th Dec 202430th Dec 2024 doublespeakmag

Renz Chester R. Gumaru’s essay: Numbers Beyond The Classroom

29th Dec 202430th Dec 2024 doublespeakmag

Ken Poyner’s six new drabbles

29th Dec 202430th Dec 2024 doublespeakmag

Renz Chester R. Gumaru’s short story: Who Are You?

29th Dec 202430th Dec 2024 doublespeakmag

Tasnim Naz’s short story: The Company

29th Dec 202430th Dec 2024 doublespeakmag

Mainak Ganguly’s short story: Have You Seen Bincy