Pritha Banerjee Chattopadhyay’s two poems


On Borrowed Time


We are living

in the small margin

at the edge of a page

someone else has already written.


The clock knows this.

It clears its throat every evening.


You sit across from me

as if nothing is temporary —

elbow on table,

tea cooling between us,

your voice moving through the room

like a quiet river

that has never needed a map.


We speak about ordinary things —

a book,

a stray line of music,

the strange weather of March…


but beneath the conversation

another language is forming.

It says:

remember this.

Remember the way laughter

arrives before either of us is ready.

Remember how silence

does not frighten us.


There is a long corridor

between two doors

neither of us will open.


Sometimes I think

friendship is simply love

that learned restraint.

Sometimes I think

it is the purest shape of it.


Soon you will leave…

the sentence hangs in the air

like a suitcase already packed.


I practice not asking

how far the distance will be.


Instead

I collect small things.


The tilt of your head

when you disagree.

The patient way

you let my unfinished thoughts

find their feet.


Memory is a careful archivist.

It keeps

the quiet details.


Later

when the room is emptied of you,

I will unfold these moments

like letters written in disappearing ink.


And perhaps that is what we are:


two people

who met briefly

in the wide geography of living,

sat together

in the borrowed hour,

and built

without saying so,


a country made entirely

of remembering.



Fortress Doctrine


I remember the first fracture –

how quietly it announced itself,

like a hairline crack in porcelain

that only I could hear widening.


Since then, I have learnt masonry.


I lay my silences like bricks,

mortar them with rehearsed indifference,

measure each kindness that approaches

against the blueprint of past ruin.


Nothing here enters unexamined.


There is a wall now:

not the crude kind built in panic,

but a deliberate architecture:

a defence I designed

when intense tenderness turned traitor,

angles calculated,

windows bricked before they could become doors.


I have made myself a country under siege,
 for once, the world was precise enough to alter me.


Even tenderness arrives

like a trespasser at dusk,

and I, vigilant,

raise another layer of stone,

another quiet refusal.


It is not that I do not remember warmth.

It is that I remember it too well -­­­

how it softened the ground beneath me,

how I sank.


So, I harden:

a method, a habit, a shield —

choosing distance as a kind of mercy

I grant myself before anyone else can withdraw it.


Inside, the heart continues its small,

insistent knocking,

a bird sealed in a cathedral of concret

but I have trained my ears

to mistake it for wind.


This is how I survive:

by becoming impenetrable,

by calling it protection, not fear,

by building and rebuilding

until even I cannot find the door.


And sometimes,

in the dead hour before morning,

I press my palms to the inner wall

and wonder—

if I am keeping the world out,

or saving myself

from the ruin of letting it in again.


Pritha, a high school teacher, finds her deepest connection in poetry, which mirrors the soul and transforms the ordinary into magic. Her students’ curiosity and humour keep her inspired, even as she dreams of travelling the world and savouring its cultures. Tagore is her refuge, a calm amid chaos, and though she chooses to believe in humanity’s goodness, she often feels dogs make better companions.

Leave a comment