Aakash Sagar Chouhan’s fiction: Graveyard, Where She Writes


It was a new moon December night, another ornate sky blushed like a newlywed bride. Stray dogs were restlessly barking and aimlessly whining. The gentle cold breeze caressed her face, although wrapped in a torn blanket, she was heading through the muddy lanes of Girblaung, a small village. Briskly, as if she was going to meet someone with no looking back.

“Oh! These dark endless nights…” She murmured to herself, in her head she was reciting an old poem of hers that she wrote, probably on a foggy moonlit night.

Her uncle and the nearby localites wondered how did she acquire this habit of walking to the cemetery every other evening. The small village of Girbalung still meritoriously talked about exorcism, black magic, witches and all kinds of evil practices. Nonetheless, all these concerns mattered not much to a nineteen year old girl.

Tara was always a beautiful girl, who inherited features from her mom, she was fair, had a sharp nose, brave shoulders, bold neckline and a courageous tone. She strongly believed in herself, as an independent free will girl who was liberal in her thoughts. Yet she was unable to pacify after her Nani and mother’s demise. She lost both of them, exactly within a year.

Now she visited the graveyard, idling hours just sitting beside their graves. She would not even shed a tear. Only a black ink pen, her diary and the chambers app installed on her phone. In dark and somber nights, under the flashlight of her cellphone, she used to overwrite and scribble her diary. End up playing the flute sonorously resonating with the mellifluous cries of airy nights.

“Tara, are the rotis ready?” Her uncle politely asked, as he too nutshelled into a broken heart.

The lid of casserole replied, “No uncle, I need to make four more.”

Tara was getting late for the graveyard.

It was already quarter to nine, she wrapped herself in a woolen shawl, quickly slid into a pair of sandals, stepped out of the gate and marched towards the meadows, on the other side of the paddy field was the graveyard. Obviously, there was no gate, but wild sycamores crept everywhere. She stumbled upon a tiny grave, which appeared like a freshly buried gift box. Helplessly, she stood beside that grave for a few minutes, rearranged her shawl and moved on.

On reaching her daily console, she sulked onto the cemented space between their graves. She took out two incense sticks lit them to confirm her presence, a strange ritual, a kind gesture, homage to all souls. She took out her flute, placed her diary and uncapped her pen to put foggy words to sleep on that cold night, like every other night.


 
The drift blows back

To such places of time and again

Blue tides of oceanic nights roar

Leave me unwashed yet drenched 

 In sweet remembrances about

A stolen piece of cake

A warm lullaby

 Seamless love

Clandestine respite to solace.

 

Midnight assembles beside your grave

I talk to the zephyr

Whisper to immortal souls

All have a gala time

Silence is the theme of somnambulant parties

The imaginary tune from a distant flute

May be eternal, seems like bliss

Serenity is the incense

At places of tranquil

I cuddle and embrace the epitaphs

A tiny drop of tear preserves a smile for afterlife

Posthumous of night sky. 


Aakash has four solos consolidated as Photon. It took almost two years for him to build a relationship with Pune, when he compiled anthologies named as A City of Banyan Trees and Moist Eyes of Budhwarpeth. He has a Youtube channel – Pupu.Parenthesis showcasing his original compositions on the Guitars. His paintings were exhibited at Muzho Café, F.C. Road.

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