Stephen Mead’s two poems


Fingers (I)


can be eyes and mouths-

Probes open for the touch & go in while upon.

But mostly they are dumb, innocent of their own eloquence,

too busy for listening even while asleep, clutching,

un-clutching insight, the R.E.M.s.

How I'd like to catch that flash, hold & sing

what you're dreaming even though my voice

is burnt by cigs and my eyes by too much smoke.

Hey, this is no way for fingers to communicate,

caught like a just-born junkie's babe. Soothing

hands come in, transfusing an understanding,

yet unable to define what it means.

Tide


For some: the oldest story.

For many: the only.

Know it. You do,

you whose shoes strike sparks,

echo on asphalt; you the some,

you the many, solitary on night streets

in a sea town whose houses 

wink out early for Orion…


Then there's the clouds between which gulls flap,

their cries mixed with certain boats creaking.

In each wave meeting black there is that resonance:

absence meeting presence, then flowing back on…


And all the lamps carry this,

lamps in the towers bonging

midnight always as longing

in our cruising wide-awake-hearts.


Resident artist/curator for The Chroma Museum, artistic renderings of LGBTQI historical figures, organizations and allies predominantly before Stonewall, https://thestephenmeadchromamuseum.weebly.com/, Stephen Mead is a retiree whom, throughout all his pretty non-glamorous jobs still found time for writing poetry/essays and creating art.  Occasionally he even got paid for this. Currently he is trying to sell his 40-year backlog of unsold art before he pops his cogs.

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