Out Cimarron Way
Through the abyss of infinite
time and space,
through the fields of joyless
amber grain,
through tumult, turmoil, and tension,
hands waving above
white cap undertows,
waiting for deliverance and a chance
to fill lungs to bursting capacity.
Open up and say, “Nah.”
Open up and drink to the lees.
Touch toes and bend knees;
open up and drink to the lees.
Unloose the pets from leash and cage,
unloose the cage from foundations
of free-fall galactic mortar.
And the mortars fall on No-Man’s Land.
And the mortars fall on the DMZ.
And the mortars fall to crater Kiev, Gaza,
The Cimarron Strip.
In the Oklahoma panhandle,
lawlessness abounds.
In the Oklahoma panhandle,
ten-gallon hats watch sunsets
over Taos and over The Petrified Forrest.
The ten-gallon hats
are themselves petrified.
They are themselves scared to death.
They hide in darkened basements
awaiting the boogeyman.
They disguise themselves as top hats
and let long dead presidents wear them
to see Our American Cousin
at the Ford Theatre.
In the Oklahoma panhandle,
the ten-gallon hats drive Fords and Chevys
and rope them doggies
and bust them broncos.
The Cimarron Strip, No-Man’s Land,
home of the brave, land that time forgot.
Home of the sauroposeiden
and the tenontosaurus.
And the masked man
on his snow-white steed sings,
“Tenontosaurus, you go to town.”
“Tenontosaurus, stay here
and watch the camp tonight.”
And Tenonto responds,
“Sure, Kemosabe,
but who will watch out for me?
Who will stand by my side
when the oceans rise,
when the meteorites fall,
when the lowly mammals rise
to rule the world?
Who will go to town then,
Kemosabe?”
And Tenonto asks,
“Who will watch
through the abyss
of time and space?”
River Fugue in A♭
Sometimes when the sun
is rising and the dew
has fallen on the world,
sometimes when I sit
and wonder,
sometimes when the Earth
is spinning and the tunes
are lost to time,
we watch ice storms
down the oaks,
we watch the oaks crash
to the icy Huron, frigid Erie,
the St. Lawrence and
the North Atlantic.
The fallen oak drags its
amber leaves in rushing currents.
The fallen oak, like chamber music
in chambers of the heart,
is washed by the pump
of receding glaciers.
And we all fall down,
and we all clear those hurdles.
And we watch as coffee spoons
swirl and twirl and squirrel
away their ever-loving song.
Sometimes in the wake
of winter when the winds
of the plains blow back,
sometimes when I stand
and stumble, when the moon
eclipses every star
and the flames of tomorrow
burn bright,
it’s unclear what we want.
We want the empty matter
of life, the universe,
the empty matter
of everything.
And like worms after the storm,
we wallow in muck and gloom.
Like the worms after a storm,
we are stranded.
We want a hero
with cape and cowl.
Shazam of the first degree.
And we all fall down,
and we all clear those hurdles.
And we all watch as coffee spoons
swirl and twirl and squirrel
away their ever-loving song.
Sometimes it’s muddled
when the howling sleet
hits the windows,
the storefronts, the country
churchyard. Sometimes the cry
of night is deafening.
And who can tell?
The fallen oak relaxes in the river.
The fallen oak collects
the refuse of the rainfall.
The fallen oak drags
if white branches through
the pancreatic waters
of uncertain times.
And uncertain times climb
out to the tips of those
white branches,
the lifeless branches sagging
into the cold rush of water.
Into the frigid rush to the open sea.
And we all fall down,
and we all clear those hurdles.
And we all watch as coffee spoons
swirl and twirl and squirrel away
their ever-loving song.

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