26th Jun 202329th Jun 2023 doublespeakmag

Sneha Dasgupta‘s essay: Joining Dots…Old, New, and More

26th Jun 202329th Jun 2023 doublespeakmag

Carlo Rey Lacsamana‘s essay: A Kind of Mourning: A Theory of Nostalgia in Black and White

26th Jun 202329th Jun 2023 doublespeakmag

Gary Beck‘s one act play: Funeral Strains

26th Jun 202329th Jun 2023 doublespeakmag

Pawel Markiewicz‘s short story: The Druid

26th Jun 202329th Jun 2023 doublespeakmag

Ellis Shuman‘s short story: Tales of the Tel Aviv Ticket Inspector

26th Jun 202329th Jun 2023 doublespeakmag

Declan Geraghty‘s short story: Face Changer

26th Jun 202329th Jun 2023 doublespeakmag

Pawel  Markiewicz‘s poem: The responsive awakening of springtide

26th Jun 202329th Jun 2023 doublespeakmag

Kanwalpreet Baidwan‘s poem: The beauty of the old and new

26th Jun 202330th Jun 2023 doublespeakmag

Bobby Parrott‘s poem: We’ll Never Relinquish Our Own Dying Shoes

26th Jun 202330th Jun 2023 doublespeakmag

Bobby Parrott‘s poem: Automania: Killing Our Mother for the Sake of this Smooth Conveyance

26th Jun 202330th Jun 2023 doublespeakmag

Bobby Parrott‘s poem: Cinematropia: The Expanding Jellyfish of a Projected Mind

26th Jun 202329th Jun 2023 doublespeakmag

Kenneth Hickey‘s poem: Rhinoceros

26th Jun 202329th Jun 2023 doublespeakmag

Kenneth Hickey‘s poem: Moonlight

26th Jun 202329th Jun 2023 doublespeakmag

Kenneth Hickey‘s poem: Song

26th Jun 202329th Jun 2023 doublespeakmag

James Croal Jackson‘s twin poems on Kermit

26th Jun 202329th Jun 2023 doublespeakmag

James Croal Jackson‘s twin poems

26th Jun 202329th Jun 2023 doublespeakmag

Gale Acuff‘s trio of poems

26th Jun 202329th Jun 2023 doublespeakmag

Douglas Colston‘s poem: Those that are outstanding and other journeys

26th Jun 202329th Jun 2023 doublespeakmag

Christian Ward‘s twin poems

22nd Jun 202329th Jun 2023 doublespeakmag

Barbara Simmons‘ poem: Storing Images in Memory’s Freezer