Bobby Parrott‘s poem: Cinematropia: The Expanding Jellyfish of a Projected Mind


Didn't I see you in that movie? I say.

You look at me like I've slipped a few threads

on my wing nut, shake your head, frown

and start to rise from the table.

I'm sure you're in it, I add. Sit

down, please. Have some more coffee; just

sit down, please? You sit back down,

straighten your rumpled collar.

In this scene, I say, our meeting is

preliminary to…

Your eyes widen, you look like

I've just kicked you in the groin,

both white-knuckled fists on the table.

I clear my throat, begin again.


Cut! Cut! cries a corduroy-jacketed man

as he leaps from his sun-bleached

portable chair off in the corner.

Let's do that again, and this time…


The faceted, translucent letters of red

held flat to the marquee's face

allow embedded fluorescents to enter

the signifiers' plastic to transfuse

memes, sink teeth into the brain-stems

of passing motorists and pedestrians

so they'll file into the theatre, feed popcorn-

buttered egos on hallucinations captured

in the camera's one psychedelic glassy eye.


What goddamn movie are you talking

about? you scream, turning heads across

the elegant dining room. Never have I witnessed

such boldness in someone I've only just met.

You know, I say. It's called The Life of Bobby Parrott.

You are one crazy mother f…

Wait a minute, I say, slitting my eyes, fingers

steepling to the unexpected anomaly.

You – mean – this – isn't – a film?


Bobby Parrott is radioactive, but for how long? This strange, surreal poet’s epiphany concerns the intentions of trees, and now his poems enliven dreamy portals such as Tilted House Whale Road Review, Rabid Oak, Exacting Clam, Neologism, and elsewhere. He lives in Fort Collins, Colorado with his partner Lucien, their top house plant Zebrina, and his hyper-quantum robotic assistant Nordstrom.

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